Anthology
of Mongolian Khöömii

Contents of the disc An Anthology of Mongolian Khöömii

The first disc features archive recordings from the funds of Mongolian National Public Radio. The mechanical production rights for the recordings have already been acquired for this project. Supplemented by some field recordings of Johanni Curtet dating from 2000-2015, the compilation presents the pieces performed by both the ancient and today’s overtone singers, representing about 60 years of history.

The second disc includes pieces performed by all current khöömi heritage bearers and professional musicians from the various ethnic groups across Mongolia, such as seniors, masters, men, women, students, nomadic herders, professional soloists, national traditional music ensembles, ethno-rock and other fusion music artists.

This double disc represents as broadly as possible, all aspects of the past and contemporary practices of khöömii in Mongolia. In detail, the double-disc covers the whole diversity of the khöömii tradition: its relation to nature, the various accompanying instruments, different styles and techniques of overtone singing, repertory, the evolution of practice over three generations, rural and urban sensibilities, and innovations.

As a major documentation promoting the spirit of the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO, the aim of this album is to show Mongolian khöömii in all its contemporaneity and create a tool for its transmission. It also promotes the cultural diversity in today’s global society by contributing the dissemination of this heritage, as it is conveyed by the Mongolian people, all over the world.

Why An Anthology of Mongolian khöömii ?

Expressing the Mongolian identity, khöömii is a precious element of traditional culture. Several legislative documents have been adopted in Mongolia, showing the importance given to this national musical emblem, such as the National Programme on the Promotion of Traditional Folk Arts of 1999 (1999-2006), Presidential Decree on the Development of Khöömii Art of 2006 and the Mongol Khöömii National Programme of 2007 (2008-2014). Moreover, following the nomination from Mongolia, the Mongolian Traditional Art of Khöömii was inscribed on the UNESCO Representative List of Intangible Cultural Heritage of Humanity in 2010.

However, to date, there is no referential documentation and mediation presenting scientifically, objectively and comprehensively the diversity of this tradition as a whole to the international audience.

In addition, such a contribution with a dimension of creation is also important for several reasons:

• Nowadays khöömii is best known in its spectacular and artistic form. But overtone singing is not only summed up to this manner. In order to counterbalance this potential harm to the viability and transmission of khöömii, it is necessary to present the rural practices related to the specific context of nomadism, which should go through the scene.
• Abroad, especially in the West, the khöömii is perceived and understood as a religious and mystical practice explained in a form that is different from the reality in Mongolia. It is therefore necessary to change the misconceptions created and promoted by the New Age movement.
• Despite the development established in Ulaanbaatar, by the academisation of khöömii tradition, we observe a lack of knowledge of youth on the older generation, their repertoire and representation of the meaning and the ancient practices. This is probably explained by the fact that: the poor circulation of the existing records and difficult access of sound archives; the weak inheritance link and relationship between old and young generations of khöömii; the decrease of young people to go seek a traditional master to learn khöömii

Following this, Johanni Curtet and Nomindari Shagdarsuren, main participants of the dossier and documentation of the nomination of Mongolian Traditional Art of Khöömii on the UNESCO Representative List of Intangible Cultural Heritage of Humanity, implement a project to release the first discographic edition Anthology of Mongolian Khöömii, followed by a new and unique musical creation and tour.

Thus, this project has not only artistic and aesthetic aspect, but also a dimension of cultural heritage protection, promoting the objectives of the UNESCO Convention of 2003, to document, disseminate and transmit the intangible cultural heritage, making this great event a world premiere.

Why is this project important ?

Calling for the protection of tradition and promotion of its renewal, the idea of this project is realized both on the disc and the stage. With the additional cultural and educational mediation activities, this event made the following contributions:

• Creation of a referential document on Mongolian khöömii, its singular characteristics, and its multilateral evolution for its dissemination and transmission.
• Presentation of history, biography and repertoires of khöömii heritage bearers and professional khöömii practitioners, who left their traces in the history of overtone singing and made their contributions in its development.
• Encouragement of current musicians and their artistic research.
• Reinforcement of the link of transmission, repertory and aesthetics between the young and old generations of khöömii and fostering the exchange between the khöömii bearers and apprentices.
• Promotion of equity between the khöömii practitioners in the face of all forms of hierarchy of reputation and social status: professional versus amateur, urban versus rural, decorated versus non-decorated etc.
• Notable contribution on the reinforcement of the visibility and viability of the Mongolian khöömii at national and international levels.
• Considerable contribution of new knowledge about the voice. Research programs are under elaboration. One of them is a one-week research protocol at Gipsa-lab in Grenoble, to be conducted during the tour, with the participation of a team of acousticians, speech pathologists and specialists in the singing voice, as well as the invited representatives of khöömii tradition from Mongolia.

What benefits for the invited Mongolian overtone singers ?

Since the Anthology of Mongolian khöömii is relied upon a more than 10 years of ethnomusicological research on this vocal technique, this sound, visual and textual documentation became a reference in all levels.

For the Mongolian overtone singers, participating in this historical document, and the following creation and tour was a great opportunity to spread their works worldwide.

The elaboration of booklet and the selection of recordings was planned and revised with the remarks of the participants to ensure the objectivity, the participation of concerned community as well as the collective dimension of the project. Content of the musical creation, based on the spirit of the Anthology was considered with all the invited musicians in a collective and participatory approach.

Promoting Mongolian culture and traditional music worldwide since 10 years, Routes Nomades Association has constructed a solid network in the traditional music milieu in France and Europe. Through its network, Routes Nomades has been promoting Mongolian artists and contribute greatly for their ascension on the world stages. A concrete example of this can be illustrated by a young virtuoso Tsogtgerel Tserendavaa. Moreover, stable artistic projects such as Dörvön Berkh and Khoyor Altai that Routes Nomades produced had a significant multiplier effect for the Mongolian artists to participate in new projects, giving a birth to the contemporary creations as Urbi&Orbi and Nomadic Voices.

The French label Buda Musique in charge of the edition and the international distribution of the anthology disc (by Universal), reaches to large parts of the world (Europe, North America, Russia, Japan and South Korea and Internet). With the professional network of this label and through the anthology, Mongolian khöömii and works of overtone singers included in this project will be widely promoted and disseminated.

In addition, the 2016 creation and the international tour for the promotion of the Anthology of Mongolian Khöömii allowed the invited musicians to perform on the world stages, while expanding their network of artistic cooperation. Covered by the national media, public awareness and reception on khöömii was considerable.

Aim and Objectives of the Project

The purpose of this multifaceted project is to promote, enhance and contribute to the transmission of the khöömii tradition in all its contemporaneity, equally representing rural and urban practices, heritage bearers and professionals. The project also aims to encourage and disseminate research and current musical creation around khöömii. To succeed this through the disc, creation and tour, it achieved the following objectives:

• Present the richness and diversity of historical and modern practices of the Mongolian khöömii tradition exhaustively;
• Make publicly available the recordings from rare sound archives and promote the contribution of the record in the khöömii transmission;
• Reinforce the inheritance link between the old and younger generations;
• Promote popular and rural aspect of khöömii that progressively supplanted by its spectacular form and enhance the rural artists and khöömii heritage bearers who have maintained this traditional cultural expression in its nomadic pastoral context;
• Represent Mongolian khöömii in all the diversity of its context of performance: pastoral practice, scenic representation as well as rural and urban aesthetics and foster the dissemination and transmission of the Mongolian khöömii at national and international levels;
• Support current creations, artistic research and renewals of style and repertoire of Mongolian khöömii;
• Promote the spirit of the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage by strengthening the visibility of khöömii tradition worldwide;
• Encourage the respect for intellectual property holders of khöömii in Mongolia.

Biographies of the Project Implementers

Johanni Curtet, PhD

Doctor of Philosophy in musicology, Johanni Curtet is a musician and ethnomusicologist specialized in khöömii, Mongolian overtone singing. Affiliated to the Research Unity 1279, History and Critics of Arts at the University of Rennes 2, he is a member of the French Society for Ethnomusicology. Since 2006, he is the artistic director of Routes Nomades Association.

His research on khöömii focuses on the origin, history, spectacularization, heritagization and transmission of this vocal technique in Mongolia. In 2009, by the request of the Mongolian National Commission for UNESCO, he participated in the elaboration of the nomination dossier of the Mongolian Traditional art of Khöömei in the Representative List of the Intangible Cultural Heritage of Humanity.

In 2013, he defended with honours his PhD dissertation entitled The transmission of höömij, an art of vocal timber: the ethnomusicology and history of Mongolian overtone singing at the University of Rennes 2. In 2014, he taught Mongolian language grammar, Mongolian culture and civilization at INALCO, the National Institute of Oriental Languages and Civilizations in Paris.

Nomindari Shagdarsuren

Holder of Master’s degree in Mediation of cultural heritage at the University of Rennes 2, Nomindari Shagdarsuren is specialized in the sector of the intangible cultural heritage (ICH).  She has worked for national and international cultural engineering organizations in Mongolia (Mongolian National Commission for UNESCO, Foundation for the Protection of Natural and Cultural Heritage), France (French Centre of Intangible Cultural Heritage) and South Korea (ICHCAP-International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific region under the auspices of UNESCO).

Project officer at the Routes Nomades Association, she also participated in the elaboration of the nomination dossiers of ICH elements of Mongolia to the UNESCO lists, such as Mongolian traditional art of Khöömei, Naadam, Mongolian traditional festival, Mongol biyelgee, Mongolian traditional folk dance and Mongol Tuuli, Mongolian Epic. She published several articles on the ICH in Mongolian, English and French.